- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Bego Lafuente
Netherlands
Related collection
Artworks Inspired by John Little
457 pieces
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Printing : Hybrid on Paper
- Framing : Framing on request
- Dimensions : 23.6x31.5in
- Edition : All editions sold (3 / 3)
- Artist's proof : 1
About this artwork
It is a diptych belonging to the Ephemeral Essence Diaries series.
There are people who look at you and you know that they surely see you.
Some other pieces from this same series have been exhibited at Saatchi Art's The Other Art Fair and The Affordable Art Fair Amsterdam.
The series of semi-abstract portraits involve half figures, light and shadow build the figure.
Inspired by something from Art Deco, Matisse's silhouettes and Gestalt school… studies on perception.
About material:
• Series of 3-. Intervention with Acrylic, ink, pastel and graphite. in giclee. Each piece is different from the other two.
• Type: Monotype. Diptych
• Medium: Mixed technique
• Materials: Hahnemühle William Turner paper (310 g/m²). Watercolor matte texture, natural white, craft style paper. Acrylic, ink, pastel and graphite.
• 2 pieces of 40 x 60 cm 80 width x 60 height cm total.
• Signed and numbered on the obverse.
• Certification of authenticity.
There are people who look at you and you know that they surely see you.
Some other pieces from this same series have been exhibited at Saatchi Art's The Other Art Fair and The Affordable Art Fair Amsterdam.
The series of semi-abstract portraits involve half figures, light and shadow build the figure.
Inspired by something from Art Deco, Matisse's silhouettes and Gestalt school… studies on perception.
About material:
• Series of 3-. Intervention with Acrylic, ink, pastel and graphite. in giclee. Each piece is different from the other two.
• Type: Monotype. Diptych
• Medium: Mixed technique
• Materials: Hahnemühle William Turner paper (310 g/m²). Watercolor matte texture, natural white, craft style paper. Acrylic, ink, pastel and graphite.
• 2 pieces of 40 x 60 cm 80 width x 60 height cm total.
• Signed and numbered on the obverse.
• Certification of authenticity.
Bego Lafuente
Netherlands
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Featured in gallery curations
- Works on commission
« I explore the essence of art and am intrigued by the "why" of works that last over time, as well as the why of those that fall into oblivion. »
Begoña Lafuente is a painter and illustrator based in the Netherlands whose works have been widely exhibited internationally, as well as in Spain. For her, art is a timeless conversation where not everything is said and "the essential is diluted." Lafuente describes her works as a game of combinations that combines materials, textures and colors, improvising new routes for the senses. In addition, she integrates movement and contrast in her compositions to cultivate visual and emotional tension.
