Discover the creation in interiors
Other artworks by Pier Forlano
Artwork details
- Medium : Acrylic, Collage on Synthetic board
-
Framing :
Synthetic board
Framed - Dimensions : 39.4x39.4in
About this artwork
I have picked up off the ground a pod and a foosbal rod with decapitated players which made me think about mass sport, anonymous bodies, interchangeable people, the crowd as commodity, collective identity stripped of individuality. I have added plastic workshop figures who indicate labour, the working body, industry, repetition, the dignity and invisibility of manual work.
I have filled the long pod filled with micro tools: the pod that births tools… instead of seeds; nature as production, or production as something organic and inevitable. All is carved on a polystyrene plank customized with newspapers and craft papers. reads vertically. The pod is at the top as the origin of everything, a germinal object that grows labour. The workers occupy the middle, busy and anonymous. The foosball rod sits at the bottom as the endpoint of the entire productive chain: the body as entertainment. In this era of soccer World Cup stars these players are just byproducts of late capitalism.
I have filled the long pod filled with micro tools: the pod that births tools… instead of seeds; nature as production, or production as something organic and inevitable. All is carved on a polystyrene plank customized with newspapers and craft papers. reads vertically. The pod is at the top as the origin of everything, a germinal object that grows labour. The workers occupy the middle, busy and anonymous. The foosball rod sits at the bottom as the endpoint of the entire productive chain: the body as entertainment. In this era of soccer World Cup stars these players are just byproducts of late capitalism.
Pier Forlano
Belgium
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Pier Forlano is an multimedia artist known for his impactful expression of the concept of fragility, be it psychological, political or territorial. He uses tree bark, paper layering or model figurines and techniques that vary from acrylic to collage, from bas-relief to miniature dioramas. The main tenets of his production are sculpted paintings that add a depth to the vision. Recurrently he deals with themes of separation from other human beings, from nature and the desire to recuperate feeling and tackle unconscious taboos. Tribal art, surrealism, symbolism and graffiti art remain his possible inspirational starting blocks, together with big political topics such as environment and the populist parties. The Palais des Beaux Arts of Charleroi is presently showing two of his works. He believes that the task of an artist is to shine a light on the untold and uncomfortable or to reveal a strong emotion. His concept of fine art reclaims good composition and intensity of the message.
Pier Forlano
The seed, the hand and the game
$4,680