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Lydia Habers-Canclaux
France
Collection associée
Notre sélection d'artistes européens à suivre
2097 pièces
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Autres œuvres de Lydia Habers-Canclaux
Détails de l'œuvre
- Technique : Acrylique sur Toile
- Finitions : Oeuvre sur châssis. Prête à être accrochée. Encadrement sur demande.
- Dimensions : 100x100cm
À propos de l'oeuvre
In the series combining flowers and femininity, we can see that the "Poppy Woman" inspiration is created from real landscapes, influenced by observation, the painter's artistic blossoming.
An emblematic canvas with abstract forms, composing a poetry of intimacy, a story that each viewer is invited to grasp. Poppy Woman is an abstract, unreal, and whimsical composition.
In the series combining flowers and femininity.
An emblematic canvas with abstract forms, composing a poetry of intimacy, a story that each viewer is invited to grasp. Poppy Woman is an abstract, unreal, and whimsical composition.
In the series combining flowers and femininity.
Lydia Habers-Canclaux
France
I've been creative since childhood. From a young age, I started drawing, writing little stories, and making dresses for my dolls. I inherited my creativity from my mother, who was a renowned haute couture seamstress.
I've always drawn.
After my studies, I went to work in Paris where I met my husband in 1976, a Dutchman. It was love at first sight and I went to live in the Netherlands. After my studies, I went to work in Paris where I met my husband in 1976; he is Dutch.
It was love at first sight, and I moved to the Netherlands. After work, I devoted my free time to painting, particularly realistic and surrealist paintings.
I wanted to improve my style and technique in the art of painting. I took lessons, learned from other artist:
In 1979-1980, I took courses at the "Artibus" Academy of Fine Arts in Utrecht.
From 2012-2014 I took classes with the artist Miriam Wijs.
September 2018/ October 2019 I painted at Leone Tonkins's place, she had worked as a restorer at the Louvre.
I've always drawn.
After my studies, I went to work in Paris where I met my husband in 1976, a Dutchman. It was love at first sight and I went to live in the Netherlands. After my studies, I went to work in Paris where I met my husband in 1976; he is Dutch.
It was love at first sight, and I moved to the Netherlands. After work, I devoted my free time to painting, particularly realistic and surrealist paintings.
I wanted to improve my style and technique in the art of painting. I took lessons, learned from other artist:
In 1979-1980, I took courses at the "Artibus" Academy of Fine Arts in Utrecht.
From 2012-2014 I took classes with the artist Miriam Wijs.
September 2018/ October 2019 I painted at Leone Tonkins's place, she had worked as a restorer at the Louvre.
Lydia Habers-Canclaux
Femme Coquelicot (poppy woman)
5 000 €
