A curation by Natalie Slater, Curator at Singulart - This curation brings together works built through sustained, high-frequency mark-making, in which surfaces are activated through repetition rather than by image. Each composition relies on small, consistent gestures that accumulate into fields of compressed color. The paintings operate under constant visual pressure. Marks cluster tightly, creating surfaces that feel charged and unstable rather than still. Color is not laid out; it is packed in. The eye has no resting point, only movement across dense, vibrating planes. What connects these works is their intensity of surface. The paintings hold a heightened state—visually saturated, optically restless—where repetition generates tension and sustained energy rather than resolution.