A curation by Natalie Slater, Curator at Singulart - This curatorial selection focuses on the horse as structure in motion. Across the works, the figure is pushed into action — rearing, folding, suspended, compressed. In some compositions the body is fully articulated; in others it dissolves into line and mass. Movement is not implied. It is constructed through repetition and pressure. Brushwork remains visible. Lines are retraced, reinforced, interrupted. The surface records force. Deep blues, whites, and greys dominate, tightening the field and sharpening contrast. The horse is not treated as emblem or narrative device. It functions as form — weight distributed across tension points, volume held in balance or collapse. Repeated across artists, the figure becomes less subject than framework. A study in torque, restraint, and release.