A curation by Juliana Angulo, Art Historian, Curator, and Advisor at FAREX & Singulart - Art history has long been fascinated by dots. During the 19th century, the French Pointillist artists began applying small dots of color in their paintings rather than mixing pigments, creating vibrant compositions through repetition. In Modern and Contemporary times, Pop artist Roy Lichtenstein for example, reimagined the dot as a symbol of mass printing and made it central to his work. Yayoi Kusama, on her side, has become the most well-known dot-obsessed artist in the world. Since childhood she has experienced mental visions of polka dots covering her surroundings, and adopted the dot as her main creative language. She creates paintings, sculptures, and immersive spaces filled with dots that symbolize infinity, rhythm, and continuity. Damien Hirst, on the other hand, introduced dots in his “Spot Paintings”where colorful circles become symbols of control and repetition. This series revisits the use of dots and assembles works where they are reinterpreted as explorations of form and space. Some dots are calculated and static, while others float freely across the canvas, creating movement and depth that oscillate between control and spontaneity. Dots, Dots, Dots: the endless rhythm of color and perception.