Kaufen Sie mit Vertrauen
Kostenloser Versand & Rückversand
Versand und Zollgebühren inklusive. 30 Tage kostenlose Rückgabe
Echtheitszertifikat
Signiert und jedem Kunstwerk beigefügt.
Rahmung
Setzen Sie Ihr Kunstwerk in Szene
Kunden bewerten Singulart 4,9/5
Singulart wurde von über 20.000 Kunden mit 4,9/5 bewertet.
Bernard Simunovic
Deutschland
Zugehörige Sammlung
Von René Margotton inspirierte Kunstwerke
150 Werke
Künstlerische Highlights
- Anerkannte Künstler
- International profiliert
- Einladung in Künstlerresidenz
- Von Galerien favorisiert
- In Galeriekurationen vorgestellt
- Arbeitet auf Kommission
Diese Kreation in einer Inneneinrichtung entdecken
Weitere Kunstwerke von Bernard Simunovic
Time frame (99×139cm), 2018
At nearly 140 centimeters, this work unfolds like a score. Acrylic and graphite in layered conversation, figures broken into geometry, time itself made visible as structure. A painting that changes as you move across it.
At nearly 140 centimeters, this work unfolds like a score. Acrylic and graphite in layered conversation, figures broken into geometry, time itself made visible as structure. A painting that changes as you move across it.
- Technik : Acryl, Graphit auf Leinwand
- Verarbeitung : Werk ohne festen Untergrund. Spannen und/oder Rahmung auf Anfrage.
- Größe : 39x54,7in
Bernard Simunovic
Deutschland
« Am letzten Abend unseres Lebens werden wir über Liebe gefragt. »
Bernard Šimunović works with the line — not because he chose it, but because it was always there.
His practice is rooted not in theory, but in craft. Long before the academy, he knew the point as a precise, irrevocable gesture — set into material, obligating toward what must not be forgotten. After studies in Sarajevo, interrupted by war in 1992, and their continuation in Bielefeld, his work moved through surrealist oil paintings, figurative reduction, and finally to Relational Lines.
In Relational Lines, the figure has not disappeared. It has become relationship. Two lines approaching, touching, missing each other. What becomes visible is not the body — but what arises and remains between two people.
Works held in the collections of Akademie Schloss Solitude Stuttgart, ZiF Universität Bielefeld, and The Hong Kong Jockey Club. Press: Capital, Manager Magazin, FOCUS, Stern, ICON, Vogue, IDEAT.
His practice is rooted not in theory, but in craft. Long before the academy, he knew the point as a precise, irrevocable gesture — set into material, obligating toward what must not be forgotten. After studies in Sarajevo, interrupted by war in 1992, and their continuation in Bielefeld, his work moved through surrealist oil paintings, figurative reduction, and finally to Relational Lines.
In Relational Lines, the figure has not disappeared. It has become relationship. Two lines approaching, touching, missing each other. What becomes visible is not the body — but what arises and remains between two people.
Works held in the collections of Akademie Schloss Solitude Stuttgart, ZiF Universität Bielefeld, and The Hong Kong Jockey Club. Press: Capital, Manager Magazin, FOCUS, Stern, ICON, Vogue, IDEAT.
Referenzen
- Anerkannte Künstler
- International profiliert
- Einladung in Künstlerresidenz
- Von Galerien favorisiert
- In Galeriekurationen vorgestellt
- Arbeitet auf Kommission
18.120 $
