Une curation de Flavio Scaloni, Gallery Manager chez Galerie Lo Scalo – Elvis Presley remains the definitive archetype of the rock-and-roll revolution, embodying the explosive convergence of youth rebellion, mass celebrity, and the American Dream. For artists, his image—anchored by his pompadour, sneer, and electric performance stance—evokes a potent nostalgia for mid-century cultural shifts, while carrying deep psychological associations with the duality of public adoration and tragic isolation. Since the 1950s, Elvis has served as a central fixture of Pop Art and contemporary iconography. Andy Warhol famously recognized his mythic stature, immortalizing his cowboy persona through mechanical repetition in the monumental silkscreen Triple Elvis (1963). Decades later, pop artist Peter Blake paid homage to this musical legacy in his vibrant collage Elvis (1995). In photography, the world-famous Alfred Wertheimer captured the vulnerable human behind the burgeoning phenomenon in his legendary 1956 photojournalism series, notably with the intimate close-up The Kiss (1956). This collection explores how contemporary creators continue to recontextualize Elvis as an enduring canvas of cultural identity.