I clienti valutano Singulart con un punteggio di 4,9/5
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Pier Maria Magnesa
Italia
Scopri la creazione di interni
Dettagli dell'opera
- Tecnica : Acrilico, Olio su Tela
- Finizioni : Opera su telaio. Pronta per essere appesa. Incorniciatura su richiesta.
- Dimensioni : 15,7x23,6in
Su quest'opera
“I hope, as always, that from the most forsaken suffering in my putrefied womb, new life swarms may rise again.”
This work was born from the myth of Aristaeus — the beekeeper punished for his obsessive pursuit of Eurydice. In Virgil’s Georgics, after her tragic death and the collapse of his apiary, he’s told to sacrifice four bulls. From their rotting flesh, bees are miraculously reborn. That myth, called bugonía, stayed with me — not for its divine… resolution, but for its brutal honesty: life crawling out of decay.
In Bugonia, I translate that myth into my own experience — a ritual of grief, rebirth, and embodied memory. The canvas becomes a body, a wound, a volcanic skin that I know intimately. I work with what I have: cotton, flour, pigments, oil, acrylic — discarded or humble materials that speak the same language as the flesh.
Every texture is a gesture. Every crusted layer, a scar. The reds and browns are not decorative — they are blood, heat, fermentation, eruption.
This work was born from the myth of Aristaeus — the beekeeper punished for his obsessive pursuit of Eurydice. In Virgil’s Georgics, after her tragic death and the collapse of his apiary, he’s told to sacrifice four bulls. From their rotting flesh, bees are miraculously reborn. That myth, called bugonía, stayed with me — not for its divine… resolution, but for its brutal honesty: life crawling out of decay.
In Bugonia, I translate that myth into my own experience — a ritual of grief, rebirth, and embodied memory. The canvas becomes a body, a wound, a volcanic skin that I know intimately. I work with what I have: cotton, flour, pigments, oil, acrylic — discarded or humble materials that speak the same language as the flesh.
Every texture is a gesture. Every crusted layer, a scar. The reds and browns are not decorative — they are blood, heat, fermentation, eruption.
Pier Maria Magnesa
Italia
Pier Maria Magnesa è un pittore romano che utilizza materiali di recupero, alimentando la sua ricerca attraverso una formazione tra scuola d’arte e apprendimento autonomo. La sua tecnica è materica, sperimentale e fortemente tridimensionale, con superfici crateriche che danno emergenza visiva ai soggetti, usando mani e pennelli in gesti carnali e viscerali. Le sue opere trasmettono una potente energia emotiva: sono riti liberatori che danzano tra sofferenza, fragilità e un profondo desiderio di redenzione personale e collettiva.
