Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
24x24in
About this artwork
This piece suggested a fog lifting, a clearing of the mind or waking from a dream. The intent was to evoke a sense of ancient surfaces shaped by time, whispering stories of forgotten landscapes. The subdued, earthy palette conjures a dream-like atmosphere that invites contemplation and introspection. As with all of these works, there is the suggestion of a relationship between matter and memory. As the surface of the earth builds up and wears away… so the mind accumulates experiences and forgets them.
« The essence of life is to observe our experiences. Making art is a way to process, reflect on and communicate the observations. »
Abbey Stace was born in Philadelphia, PA in 1970. Her work sits comfortably within contemporary abstraction while maintaining an intimate connection to nature and materiality. Abbey has sought to engage in the modern tradition of experimentation by embracing a lack of control. She builds each piece in layers, allowing her materials to initiate the composition, textures and colors while guiding them toward formal balance. In an era increasingly dominated by speed and a desire to control our experience, her slow, process-oriented approach invites viewers to pause, observe, and contemplate. Each piece is an exercise in the appreciation of entropy and an expression of our interdependence with nature. She has exhibited internationally and is part of private collections all over the world. She lives and works in Philadelphia, PA and Edinburgh, Scotland