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Medium :
Acrylic, Charcoal on Cardboard , Cardboard
Framing :
Framing on request
Dimensions :
15.7x15.4in
About this artwork
I look at female body as an subject. I developed that as I grow up as an gymnast Of course we live in an male context in history For example in this piece it important with the knees on the body What can You express with them Its a part of My soul
In this piece, I poured my emotions through bold acrylic strokes and the raw texture of charcoal, capturing the quiet vulnerability of a moment paused in time. The semi-abstract form invites you to feel… the inner tension and calm coexist, bringing a sense of introspective energy to your space. This artwork breathes a thoughtful warmth that sparks personal reflection and emotional depth in any room.
« I was born with that gene of an artist for good and bad. »
My study focuses on feminine proportions within the Grammar of Architecture. Historically, architectural theory has been based on male bodies and minds — thinkers like Le Corbusier and Vitruvius, whom I studied in Paris, are an example of this. I call my personal reinterpretation of this tradition LA Módulor — a reference with female prefix to the old architectural grammar, but based on the observation of my body, my mind, space, and time.
My second field of research is called ODD Realism. It is inspired by artists from the past who faced mental health issues, such as Van Gogh or Edvard Munch. Their works often show strong contrasts, naive figures, emotional suffering, and raw humanity. ODD Realism explores similar themes, rooted in my inner obsessions. Its kindred spirits follow our own rules in art.