Analfabeta
Acrylic, Graffiti on Canvas
39x28in
$3,120
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Alejandro Alegüe
Colombia
Related collection
we choose
15 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alejandro Alegüe
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 31.5x66.9in
About this artwork
The Line is a series that portrays waiting as a metaphor for life in contexts of vulnerability and migration. Through bodies that line up, wait, and silently sustain the passage of time, the works evoke both fragility and collective resistance. It is not just a physical line, but a representation of a system that forces us to wait for rights, opportunities, and dignity. In every face, in every posture, we recognize the hope that persists despite…
uncertainty: a reminder that behind every number or turn is a human story that deserves to be seen and heard.
Alejandro Alegüe
Colombia
Credentials
- Featured in gallery curations
- Works on commission
Alejandro Alegüe—also known as AGÜD—is a Colombian artist and graphic designer with over 14 years of experience in painting and muralism. His works have appeared in urban spaces in Colombia, as well as in Spain, Brazil, Mexico, Peru, Italy, and the United States.
Her practice focuses on childhood as a symbolic and political territory, and for over eight years she has developed community art processes with social impact in marginalized neighborhoods, border areas, and rural territories. Through art, I seek to make visible, heal, and collectively resist realities marked by inequality and structural violence.
In 2024, she formalized the "We Are Still Children" methodology (through a research process with the Universidad Colegiatura Colombiana), based on play, active listening, and collaborative creation. Her work is fueled by direct contact with communities and a belief in art as an act of dignity, memory, and transformation.
Her practice focuses on childhood as a symbolic and political territory, and for over eight years she has developed community art processes with social impact in marginalized neighborhoods, border areas, and rural territories. Through art, I seek to make visible, heal, and collectively resist realities marked by inequality and structural violence.
In 2024, she formalized the "We Are Still Children" methodology (through a research process with the Universidad Colegiatura Colombiana), based on play, active listening, and collaborative creation. Her work is fueled by direct contact with communities and a belief in art as an act of dignity, memory, and transformation.
