Analfabeta
Acrylic, Graffiti on Canvas
39x28in
$3,120
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Alejandro Alegüe
Colombia
Related collection
Exhibition DETENERSE - Alejandro Alegüe
4 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alejandro Alegüe
Artwork details
- Medium : Acrylic, Graffiti on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 31.1x16.1in
About this artwork
We are still children.
This work is not just a phrase.
It's a reminder.
That childhood is not lost with the years,
hides among the routines,
the wounds, the forgettings.
But it's still there.
Hoping we remember
what it was like to look without fear,
believe without proof,
dream without limits.
Because childhood is not the past.
It is the place from which we can transform the world.
This work is not just a phrase.
It's a reminder.
That childhood is not lost with the years,
hides among the routines,
the wounds, the forgettings.
But it's still there.
Hoping we remember
what it was like to look without fear,
believe without proof,
dream without limits.
Because childhood is not the past.
It is the place from which we can transform the world.
Alejandro Alegüe
Colombia
Credentials
- Featured in gallery curations
- Works on commission
Alejandro Alegüe—also known as AGÜD—is a Colombian artist and graphic designer with over 14 years of experience in painting and muralism. His works have appeared in urban spaces in Colombia, as well as in Spain, Brazil, Mexico, Peru, Italy, and the United States.
Her practice focuses on childhood as a symbolic and political territory, and for over eight years she has developed community art processes with social impact in marginalized neighborhoods, border areas, and rural territories. Through art, I seek to make visible, heal, and collectively resist realities marked by inequality and structural violence.
In 2024, she formalized the "We Are Still Children" methodology (through a research process with the Universidad Colegiatura Colombiana), based on play, active listening, and collaborative creation. Her work is fueled by direct contact with communities and a belief in art as an act of dignity, memory, and transformation.
Her practice focuses on childhood as a symbolic and political territory, and for over eight years she has developed community art processes with social impact in marginalized neighborhoods, border areas, and rural territories. Through art, I seek to make visible, heal, and collectively resist realities marked by inequality and structural violence.
In 2024, she formalized the "We Are Still Children" methodology (through a research process with the Universidad Colegiatura Colombiana), based on play, active listening, and collaborative creation. Her work is fueled by direct contact with communities and a belief in art as an act of dignity, memory, and transformation.
