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I wanted to bring Rocky Marciano's figure back from the dust of 1951, working on an A3 format that would give his grandeur a breath of fresh air. For this piece from my The Paper Series, I chose as my medium a 250g Cordenons cardstock print of the front page of the famous British weekly Boxing News Magazine. I prepared the background with white acrylic and then, stroke by stroke, I dug into the volumes to reveal his gaze, his broken nose, and that… steel jaw that made him undefeated. It's a hand-to-hand combat with matter where the pen's stroke seeks form, but a surreal element intervenes to break the hardness of the ring: those plasters decorated with little red hearts are my way of expressing the vulnerability that lies behind every legend.
Alessandro Marini, born in Rome in 1973, lives in Viterbo. After a course of studies focused on the artistic field, he began his personal journey in the mid-90s, where he debuted as an author in the world of comics with the magazine SHORTS. Since 2000, what had previously been a gradual transition to painting, has become definitive. Over time he has had the opportunity to experiment and deepen the use of the major pictorial techniques; finding in oil painting the most suitable expressive capacity to combine his grotesque and generally monochromatic style with an idea of tradition. Alessandro Marini's world is inhabited by silent, solitary characters, full of distorted expressiveness, where from within closed and dark environments, they have the ability to attract the attention of the viewer through their dark looks full of sustained and intriguing irony. In recent years he has collaborated with artists in various sectors, creating themed exhibitions and multimedia shows.
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Alessandro Marini
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