He was just a little drunk... (n.727) - Dot Art series
Acrylic, Resin on Wood
39x30in
$6,170
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Alessio Mazzarulli
Italy
Artist highlights
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alessio Mazzarulli
Artwork details
- Medium : Acrylic, Resin on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 19.7x15.7in
About this artwork
The measurements are:
- Dot Art: 50,00 x 40,00 cm
- Dot Art + wooden frame: 56,70 x 46,70 cm; thickness 2,50 cm
Epoxy resin on painted wooden strips (mix media)
This work was created by painting 37 wooden strips, each 0.50 cm wide.
This work plays with the boundary between image and perception.
37 vertical wooden slats painted compose a surface within a white frame that changes with every step.
The thin vertical grooves fragment the female face,… transforming it into an elusive, almost moving presence.
From a distance, a delicate portrait emerges, but as one approaches, the image dissolves into lines, texture, and reflections. The contrast between the warm skin tones and the intense blues on the right side creates both balance and visual tension.
The work invites the viewer to shift perspective, suggesting that identity is never fully defined, but rather shifting and fragmented.
- Dot Art: 50,00 x 40,00 cm
- Dot Art + wooden frame: 56,70 x 46,70 cm; thickness 2,50 cm
Epoxy resin on painted wooden strips (mix media)
This work was created by painting 37 wooden strips, each 0.50 cm wide.
This work plays with the boundary between image and perception.
37 vertical wooden slats painted compose a surface within a white frame that changes with every step.
The thin vertical grooves fragment the female face,… transforming it into an elusive, almost moving presence.
From a distance, a delicate portrait emerges, but as one approaches, the image dissolves into lines, texture, and reflections. The contrast between the warm skin tones and the intense blues on the right side creates both balance and visual tension.
The work invites the viewer to shift perspective, suggesting that identity is never fully defined, but rather shifting and fragmented.
Alessio Mazzarulli
Italy
Credentials
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Art serves to remember, to leave a testimony of our existence. »
Alessio Mazzarulli transforms everyday materials into a reflection on time and perception.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
Alessio Mazzarulli
I shall never be there (n.728) - Dot Art series
$2,440
