Let me look (n.541) - Dolls series
Acrylic on Canvas
35x35in
$5,420
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Alessio Mazzarulli
Italy
Artist highlights
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alessio Mazzarulli
Artwork details
- Medium : Acrylic, Collage on Synthetic board , Synthetic board
- Framing : Framed
- Dimensions : 22.2x30.1in
About this artwork
Artwork n.679
Dimensions: 56,50 x 76,50 x 2,50 (cm)
The measurements are:
- collage: 50,00 x 70,00 cm
- collage + collage passepartout + wooden frame: 56,50 x 76,50 cm; thickness 2,50 cm
We are slapping Mother Nature, we are punching her.
Like a woman who is subjected to violence. Like a doll.
She endures, without batting an eyelid and always remains there, waiting for us. Ready to forgive.
And we continue to slap her.
We bruise her but we will… never be able to kill her.
But she is always there. Hosting us. Waiting for us. Patiently.
She knows that we will never change and that the damage we are doing is to ourselves, not to her.
We will cease to exist. Not her.
---
I ship without glass for safety reasons during travel because glass can always break and cause damage.
When you receive it, if you want you can have glass inserted, possibly anti-reflective.
It's a collage made with acrylics and lots of little pieces of paper
Dimensions: 56,50 x 76,50 x 2,50 (cm)
The measurements are:
- collage: 50,00 x 70,00 cm
- collage + collage passepartout + wooden frame: 56,50 x 76,50 cm; thickness 2,50 cm
We are slapping Mother Nature, we are punching her.
Like a woman who is subjected to violence. Like a doll.
She endures, without batting an eyelid and always remains there, waiting for us. Ready to forgive.
And we continue to slap her.
We bruise her but we will… never be able to kill her.
But she is always there. Hosting us. Waiting for us. Patiently.
She knows that we will never change and that the damage we are doing is to ourselves, not to her.
We will cease to exist. Not her.
---
I ship without glass for safety reasons during travel because glass can always break and cause damage.
When you receive it, if you want you can have glass inserted, possibly anti-reflective.
It's a collage made with acrylics and lots of little pieces of paper
Alessio Mazzarulli
Italy
Credentials
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Art serves to remember, to leave a testimony of our existence. »
Alessio Mazzarulli transforms everyday materials into a reflection on time and perception.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
