Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
31.5x23.6in
About this artwork
Artwork n.461
05/15/2019
Dimensions
80.00 x 60.00 x 0.50 (cm)
The surface has small reliefs that I love to caress, I love to feel on the fingertips.
I use an acrylic resin on the surface that gives a shiny effect and protects against sun and dust.
The picture is signed on the back but on request it can also be signed in front.
The measurements may be slightly different as I prepare the wooden frame myself, pull the canvas and lay… it on the frame.
A different light can lead to a slightly different shade of colors in the photo.
« Art serves to remember, to leave a testimony of our existence. »
Alessio Mazzarulli transforms everyday materials into a reflection on time and perception. After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central. He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision. In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.