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Third-party logistic provider shipping costs.
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Ho scelto di ritrarre Sinéad O' Connor perché quando ero teen-ager mi veniva spesso detto da amici e parenti che le assomigliavo. A quel tempo non mi sembrava un complimento: vedevo nella cantante irlandese solo una fragile e bizzarra creatura che poteva essere sintetizzata nella sua testa rasata, particolare insolito per l'inizio degli anni '90, ormai abituato all'ovvia bellezza delle super-model Claudia Shiffer e Cindy Crawford.
Per molto tempo… non sono riuscita a vedere la parte ribelle e coraggiosa di Sinéad, la cui produzione artistica e le reazioni pubbliche erano forti azioni simboliche appartenenti più al contesto artistico, che non a quello fittizio dello star system.
Questo disegno non ha supporto rigido, il tratto netto della penna nera e la carta macchiata e grinzosa sono caratteristiche perfette per descrivere la fragilità ed il potere del soggetto. Per tutti gli amanti di Sinéad O'Connor.
After graduating from the Academy of Fine Arts in Bologna, I moved to Dublin, where I worked odd jobs to pay the rent. A chance encounter with a group of young rappers from the city's suburbs reawakened my passion and need to create art. It was at that moment that "Anguilla," my artistic essence, was born again. So I started developing a type of figurative art that mixes pop art, surrealism and the passion for Japanese cartoons that I grew up with. In art, I've always sought a spiritual dimension, something that complements the physical world and adds meaning to it. Making art, therefore, is connecting with another dimension, a glimpse beneath the blanket of the sky. For more information, visit my website: anguillaink.com