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Medium :
Acrylic, Charcoal on Paper , Wood under plexiglas
Framing :
Framed
Dimensions :
40x50in
About this artwork
In his series, Refugia, Anthony Tremmaglia explores ideas of regeneration, hopefulness, and solace to tell a story of survival.
Refugia are bio-environments that support small populations of once-widespread species, spanning millennia as habitats to which elements of life retreat under environmental strain.
In the new works, Tremmaglia’s distinctive landscape figurations in paint and charcoal are evolved through a more layered, complex, and… intimate rendering process. The artist varies his treatment of intertwining stone to suggest a deeper confluence of land and body and introduces a white chalk that echoes works of the early Renaissance. He infuses bright, rich, contemporary jade and emerald colours to accentuate a previously muted palette.
In nature, and in affairs of the human heart, survival often necessitates reinvention in near-continuous states of flux.
My work offers formal and textural qualities that both confound and intrigue, inviting the viewer to upend assumptions, to step closer, and to consider the renderings in new ways. I challenge the conventions of art making in two-dimensional works that appear sculptural, and with hand-rendered forms that may be initially mistaken for photographs or digital manipulation. However, my intent is not to deceive; rather, I welcome prolonged contemplation in a time marked by superficial analysis. Once engaged, viewers may sense a contradiction between rough stone and smooth flesh as symbolic of relationships (with the self or with others) or they may prefer a tension between representation and abstraction — one containing both stark, unknowable shapes and the refuge of an imagined landscape. Free of social or gender constructs and contemporary references, my work seeks to heighten consciousness through timelessness.