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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
63x63in
About this artwork
This painting is part of my Figurative Departures series, and, like Ballerina in Purple, it was inspired by the story of Franceska Mann. Her final act of resistance in Auschwitz has haunted me — not as a moment of violence, but as a symbol of dignity.
In Ballerina in Red, I wasn’t interested in depicting motion or performance. Instead, I focused on the stillness that remains after defiance — the silence that follows courage. The figure is translucent,… her body almost vanishing, but her dress is built from hard, red geometric fragments.
She is standing, not dancing. Her presence is not decorative, but declarative. Against a black background that swallows the world, she holds her place — alone, but intact.
This is not a portrait. It’s an image of moral force rendered in form and absence.
Painting for me is a form of structured yet personal research — a slow unfolding of inner questions, memories, and ideas. I work in series, each one developing around a specific intellectual challenge, following a deliberate and programmatic structure.
Previous series like Cracks in the Past explored the fragmentation of memory, while Ribbon Fabrics reflected on the slow healing of old wounds through layers and textures. My current series, Relations, focuses on how we exist alone, in pairs, in groups — and how these dynamics are expressed through form, rhythm, and space.
Using both drawing and painting, I build compositions where minimalist language meets emotional resonance. I seek not reduction, but clarity — a quiet intensity where balance, contrast, and silence all have their place. For me, each painting is not a statement, but an open question, an invitation into reflection.