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Other details :
Unmounted artwork. Mounting and/or framing available on request.
Dimensions :
39.4x39.4in
About this artwork
To start a painting is like stepping into the white surface of untouched snow. To paint is to leave colored traces within a limited area. The marks and tracks expand the pictorial space and lift the surface. The canvas becomes an arena where time and space are erased and float into each other. The marks then become part of the history, and time evolves as a new dimension. My encounter with landscape and nature give rise to all my paintings. These… encounters are processed and transformed, to then be reproduced as an abstract form of reality. That is why I like to say that my paintings are memories from non-existent landscapes. I want to create an emotional space, not reproduce reality. I use color to build space, not classical perspective lines. Layer upon layer of color, some transparent, others opaque, forms the substance of the paintings and carries the history you sense but cannot see. Maybe you will be able to see movement relative to standstill, the troubled relative to the quiet,
« I like to say that my paintings are memories of non-existent landscapes. »
Bjørnar Aaslund likens the process of beginning a painting to stepping into the white surface of untouched snow. The Norwegian artist's encounters with landscape and nature influence his art, which is processed and transformed, then reproduced as abstract forms of reality. Aaslund's compositions are emotional spaces built by layers of color – some transparent, others opaque – all forming the substance of the piece.