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This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility.
Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning,… or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention.
What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours.
Carlos Arriaga, photographer and painter, forges his art under the protection of a pictorial lineage. He uses mixed techniques, printing photographs on textured canvases and then intervening on them with oil, in a dance of grisaille and glazes that invites contemplation and reflection on the changing relationship between the city and nature. His works, ethereal and full of dream, are a journey through urban landscapes that whisper stories of resilience and visual poetry.