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Everything seemed to be waiting for something…,” said Juan Preciado upon his arrival in Comala, that abandoned town with its deserted streets from J. Rulfo’s novel.
The languid stillness of empty spaces where seemingly nothing happens, bare atmospheres, places of hypnotic tranquility, introspective spaces, the “apparent” nothingness trapped in an illuminated space, barely touched by an object: a piece of clothing, a chair (in this case), etc. The… place of waiting is an undefined place, a place where time stops or passes very slowly. It is the space between what has just happened and what is about to happen.
The waiting place is a silent stage set; it is—in the Beckettian sense—an act without words. It is a space of delay, of suspension, a borderland, that line that separates the lost word from the promised word, the one J. Derrida spoke of.
Carolina Ferrer is an artist with a long and distinguished career whose formal and thematic singularity sets her apart. Her pictorial world is suggestive and enigmatic in conception and impeccably executed. Her poetic spaces move wisely within the equidistant space between plastic intensity and semantic clarity. She employs bold fluorescent colors and almost monochromatic atmospheres that imbue her images with great power and expressiveness; and a singular use of light, in its maximum contrast, with extreme chiaroscuro. The artist shows a tendency towards large format, creating atmospheres with an air of unreality, producing a tone of mystery in her works, and achieving an emotional representation of space. The artist tells us: "My work is detached from the urgencies of our time. In my proposals, I contrast empty spaces, objects of hypnotic stillness, or silent figures with the clamor of the world and the overexcited society in which we live. And as an act of rebellion against it."