C_42x30_520 "Abandon bleu"
Ink on Paper
17x12in
$720
Framing
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Discover the creation in interiors
Other artworks by Chantal de Grasse des Princes d'Antibes
Artwork details
- Medium : India Ink, Ink on Paper
- Framing : Framing on request
- Dimensions : 16.5x11.8in
About this artwork
In this drawing, I work more with the material than the outline.
I let the black ink invade the space, creating deep, almost opaque masses against which the body either collides or reveals itself.
The orange and red touches mark areas of tension, like heat spots under the skin.
I am not trying to describe the body precisely; rather, I am trying to show its inner intensity.
The figure appears to be partially absorbed by the shadow, but it resists.…
What interests me here is this dialogue between darkness and light, between erasure and affirmation.
The body appears, disappears, then returns — always vibrant.
I let the black ink invade the space, creating deep, almost opaque masses against which the body either collides or reveals itself.
The orange and red touches mark areas of tension, like heat spots under the skin.
I am not trying to describe the body precisely; rather, I am trying to show its inner intensity.
The figure appears to be partially absorbed by the shadow, but it resists.…
What interests me here is this dialogue between darkness and light, between erasure and affirmation.
The body appears, disappears, then returns — always vibrant.
Chantal de Grasse des Princes d'Antibes
France
Chantal de Grasse, degree in drawing from the Beaux Arts de Wavre, with honors, and training in artistic ceramics
"I have always drawn to feel, to understand. After a devastating illness, the body—my own body—became a place of both fragility and insubordination. It is in this context that gesture, line, and form have become even more essential.
In this series, which I call "Presences in Filigree," I seek less to represent than to listen. The body is both figure and echo: it speaks quietly, but it says everything. I focus on silent postures, lines of tension, areas of shadow—what the eye only grasps slowly and empathetically.
Each drawing is in fact a trace of presence: that of the model, of course, but also mine, intimate, vulnerable, crossed by emotions that I prefer to keep silent otherwise.
"I have always drawn to feel, to understand. After a devastating illness, the body—my own body—became a place of both fragility and insubordination. It is in this context that gesture, line, and form have become even more essential.
In this series, which I call "Presences in Filigree," I seek less to represent than to listen. The body is both figure and echo: it speaks quietly, but it says everything. I focus on silent postures, lines of tension, areas of shadow—what the eye only grasps slowly and empathetically.
Each drawing is in fact a trace of presence: that of the model, of course, but also mine, intimate, vulnerable, crossed by emotions that I prefer to keep silent otherwise.
Chantal de Grasse des Princes d'Antibes
C_42x30_596 "Sous la surface"
$720
