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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
39.4x39.4in
About this artwork
The work depicts a nude female figure inside a subway car. Her body is not realistic, but evanescent, almost transparent: a fragile presence that passes through the space without truly occupying it. It doesn't impose its physicality, it doesn't demand attention.
Around her, others go about their daily activities. No one looks at the figure, no one acknowledges its existence. Her nudity generates neither scandal nor interest: the woman is visible,… but ignored.
Transparency thus becomes the conceptual core of the work. It doesn't concern the body itself, but the gaze that passes through it relentlessly. It's an imposed condition, rendering a presence socially irrelevant: exposed but weightless, present but unconsidered.
Transparency stages a silent and persistent form of exclusion that requires neither violence nor censorship. Indifference is enough. Being seen doesn't mean being recognized.
Chiara Poli explores the theme of female emancipation. She depicts women in their nakedness, free from the appearances and roles imposed by contemporary society. She celebrates the intimacy of women free to express themselves and live their full potential. Her mother's figure has influenced her art since childhood. Daughter of an emancipated and nonconformist woman, she assimilated the concepts of freedom of expression through the original clothes her mother made and the feminist theses she proposed at every opportunity. Chiara's maturation is the fruit of a profound intertwining of life and thought: classical studies, a degree, a job and a family, the commitments of a wife and mother, and the obsession with her art. This synthesis is fully reflected in her poetics, which, especially after the untimely death of her mother, evolved into a precise mission to give voice to her nonconformist and feminist soul, forcefully applying it to contemporary society.