Camins - Until There is Only Silence
Acrylic, Graphite on Paper
30x22in
$1,440
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Cynthia Grow
United States
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265 pieces
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Cynthia Grow
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Verona, 3 Frimaire, year V [1797] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897771_120c64c551a9f125f8655c08043b7077.jpeg)
![Love Letters - Richard Steele to Mary Scurlock, [Saturday Night, 30 August 1707] by Cynthia Grow, Work on Paper for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/402143_4ab533cf6834b7481c12b216b665144b.jpeg)
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Nice, 10 Germinal, IV [1796] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897787_4bee49e45a8ddb8d65e5b43d6bccab5e.jpeg)
Artwork details
- Medium : Acrylic, Graphite on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 24x24in
About this artwork
In these works the marks, the gestural “entities” stand alone, isolated in empty space. The empty space implies Silence. Isolation. Sadness. Loneliness. The entities seem to drift and float, representing a sort of incipient end – a past love story, perhaps a dream, a fading memory. Something that is slowly slipping and going away.
The text adds another layer to the mystery of the “story.” Words are purposely scribbled and rubbed slightly away, leaving… behind shadows and dirty marks, much like a messy, complicated relationship and fading memory. Strands of words, snippets of poetry remind us that we can never fully know the complete story and suggests the fleeting, fragmentary but enduring nature of Memory. These pieces are deliberately ambiguous, offering subtle suggestion - hinting at death, the passing of time, and exploring themes of loneliness, longing and desire.
The text adds another layer to the mystery of the “story.” Words are purposely scribbled and rubbed slightly away, leaving… behind shadows and dirty marks, much like a messy, complicated relationship and fading memory. Strands of words, snippets of poetry remind us that we can never fully know the complete story and suggests the fleeting, fragmentary but enduring nature of Memory. These pieces are deliberately ambiguous, offering subtle suggestion - hinting at death, the passing of time, and exploring themes of loneliness, longing and desire.
Cynthia Grow
United States
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« In the end, ambiguity is always the theme I seem to return to. Searching for something imperceptible. For something haunting in the work, perhaps in a place, maybe in the other, but mostly, I imagine, in myself. »
Cynthia Grow is a passionate painter living between the US and Spain. Her works have featured in prestigious prizes, publications and exhibitions across both countries, and she has participated in residencies throughout Europe. Working in series, she alternates between two seemingly incongruous yet similar veins: paintings on wood panels and text-based works on paper. She harnesses the same sources of inspiration for both of them: language and memory, and achieves an overall aesthetic signature marked by strong senses of mood, poetry and atmosphere.
