I Opened Myself to the Wind
Acrylic on Paper
30x22in
$1,440
Framing
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Cynthia Grow
United States
Related collection
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315 pieces
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Cynthia Grow
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Artwork details
- Medium : Acrylic on Paper
- Framing : Framing on request
- Dimensions : 30x22in
About this artwork
From my series inspired by the poetry of Pablo Neruda.
‘Goodbyes’
I’ve a flair for the bitterest roles.
I was never the cause of those greetings
the thunderbolt exchanged with the rose.
I never created the world, never made
watches or waves–I never expected
to find my portrait engraved in the wheat.
After losing so much in places I’ve not even been to,
I perfected my absence
with hardly a vagary lost–
only a pillar of salt crumbling away
in… a cupful of wintery water.
The traveler asks himself: if he lived out
a lifetime, pushing the distance away,
does he come back to the place where his grieving began:
squander his dose of identity again,
say his goodbyes again, and go?
-Pablo Neruda (‘Las Manos del Día’ / ‘The Hands of Day,’ 1968)
Painting on 100% Cotton / Acid-Free / Heavy-Duty 250g French paper. Antique White. Paper has rough-hewn edges lengthwise either side (please see detail photos). Signed on Reverse.
‘Goodbyes’
I’ve a flair for the bitterest roles.
I was never the cause of those greetings
the thunderbolt exchanged with the rose.
I never created the world, never made
watches or waves–I never expected
to find my portrait engraved in the wheat.
After losing so much in places I’ve not even been to,
I perfected my absence
with hardly a vagary lost–
only a pillar of salt crumbling away
in… a cupful of wintery water.
The traveler asks himself: if he lived out
a lifetime, pushing the distance away,
does he come back to the place where his grieving began:
squander his dose of identity again,
say his goodbyes again, and go?
-Pablo Neruda (‘Las Manos del Día’ / ‘The Hands of Day,’ 1968)
Painting on 100% Cotton / Acid-Free / Heavy-Duty 250g French paper. Antique White. Paper has rough-hewn edges lengthwise either side (please see detail photos). Signed on Reverse.
Cynthia Grow
United States
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« In the end, ambiguity is always the theme I seem to return to. Searching for something imperceptible. For something haunting in the work, perhaps in a place, maybe in the other, but mostly, I imagine, in myself. »
Cynthia Grow is a passionate painter living between the US and Spain. Her works have featured in prestigious prizes, publications and exhibitions across both countries, and she has participated in residencies throughout Europe. Working in series, she alternates between two seemingly incongruous yet similar veins: paintings on wood panels and text-based works on paper. She harnesses the same sources of inspiration for both of them: language and memory, and achieves an overall aesthetic signature marked by strong senses of mood, poetry and atmosphere.
Cynthia Grow
I Perfected My Absence
$1,440
