Distant Time
Acrylic, Graphite on Paper
12x9in
$560
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Cynthia Grow
United States
Related collection
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301 pieces
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Cynthia Grow
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Verona, 3 Frimaire, year V [1797] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897771_120c64c551a9f125f8655c08043b7077.jpeg)
Artwork details
- Medium : Acrylic, Graphite on Paper
- Framing : Framing on request
- Dimensions : 12x9in
About this artwork
Series inspired by the song ‘Echoes ‘– Pink Floyd
“…Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me…”
‘Echoes,’ as Roger Waters declared in an interview, was the attempt to describe “The potential that human beings have for recognizing each other’s humanity and responding to it, with empathy rather than antipathy.”
The song describes precisely the potential that mankind has and has remained… unexpressed, suffocated by ambitions, by the pursuit of success, power and money. The whole song is an invite to meditate, to rejoin the universe, to full harmony. An invite to seek what’s essential, to target the sharing, the solidarity, the abandon of our individualism.
Please note: This work painted on 61 lb acid-free French paper. The paper is thin -waves and folds are deliberate and a stylistic choice – as metaphor for waves of both sound and emotion. Hanging suggestion - display the work in a Floating Frame.
“…Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me…”
‘Echoes,’ as Roger Waters declared in an interview, was the attempt to describe “The potential that human beings have for recognizing each other’s humanity and responding to it, with empathy rather than antipathy.”
The song describes precisely the potential that mankind has and has remained… unexpressed, suffocated by ambitions, by the pursuit of success, power and money. The whole song is an invite to meditate, to rejoin the universe, to full harmony. An invite to seek what’s essential, to target the sharing, the solidarity, the abandon of our individualism.
Please note: This work painted on 61 lb acid-free French paper. The paper is thin -waves and folds are deliberate and a stylistic choice – as metaphor for waves of both sound and emotion. Hanging suggestion - display the work in a Floating Frame.
Cynthia Grow
United States
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« In the end, ambiguity is always the theme I seem to return to. Searching for something imperceptible. For something haunting in the work, perhaps in a place, maybe in the other, but mostly, I imagine, in myself. »
Cynthia Grow is a passionate painter living between the US and Spain. Her works have featured in prestigious prizes, publications and exhibitions across both countries, and she has participated in residencies throughout Europe. Working in series, she alternates between two seemingly incongruous yet similar veins: paintings on wood panels and text-based works on paper. She harnesses the same sources of inspiration for both of them: language and memory, and achieves an overall aesthetic signature marked by strong senses of mood, poetry and atmosphere.
