Watching You for the Last Time
Acrylic on Wood
24x24in
$2,670
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Cynthia Grow
United States
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Cynthia Grow
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Verona, 3 Frimaire, year V [1797] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897771_120c64c551a9f125f8655c08043b7077.jpeg)
![Love Letters - Richard Steele to Mary Scurlock, [Saturday Night, 30 August 1707] by Cynthia Grow, Work on Paper for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/402143_4ab533cf6834b7481c12b216b665144b.jpeg)
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Nice, 10 Germinal, IV [1796] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897787_4bee49e45a8ddb8d65e5b43d6bccab5e.jpeg)
Artwork details
- Medium : Acrylic on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 24x24in
About this artwork
These muted, evocative landscapes and seascapes invented from nature create a sense of mood and atmosphere. Inspiration for this series comes from the artist's travels in Catalunya – the stunning landscape of mountains and sea, and poetry that deeply resonates with her.
She typically uses two or three colors at most in these works – only varying the tint and shade. Working to capture shadow and light, she paints in thin washes. Multiple layers are… reduced, wiped away, and then painted over, layer by layer. With thin washes of paint, the wood grain eventually seeps through, becoming an integral part of the final work. Irregularities in the grain, the occasional crack and blemish, are transformed into something with a certain imperfect beauty, making each piece unique. The final results evoke ethereal, dreamy emotional landscapes – each work a small meditation, a visual poem.
Lightly varnished for u.v. protection. Hardware included and assembled. Ready to hang. Frame not necessary.
She typically uses two or three colors at most in these works – only varying the tint and shade. Working to capture shadow and light, she paints in thin washes. Multiple layers are… reduced, wiped away, and then painted over, layer by layer. With thin washes of paint, the wood grain eventually seeps through, becoming an integral part of the final work. Irregularities in the grain, the occasional crack and blemish, are transformed into something with a certain imperfect beauty, making each piece unique. The final results evoke ethereal, dreamy emotional landscapes – each work a small meditation, a visual poem.
Lightly varnished for u.v. protection. Hardware included and assembled. Ready to hang. Frame not necessary.
Cynthia Grow
United States
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« In the end, ambiguity is always the theme I seem to return to. Searching for something imperceptible. For something haunting in the work, perhaps in a place, maybe in the other, but mostly, I imagine, in myself. »
Cynthia Grow is a passionate painter living between the US and Spain. Her works have featured in prestigious prizes, publications and exhibitions across both countries, and she has participated in residencies throughout Europe. Working in series, she alternates between two seemingly incongruous yet similar veins: paintings on wood panels and text-based works on paper. She harnesses the same sources of inspiration for both of them: language and memory, and achieves an overall aesthetic signature marked by strong senses of mood, poetry and atmosphere.
