Visceral Reaction 1
Acrylic on Wood
32x24in
$2,180
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Cynthia Grow
United States
Related collection
Artworks Inspired by Polly Borland
374 pieces
Artist highlights
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Cynthia Grow
![Love Letters - Napoleon Bonaparte to Josephine Bonaparte, Verona, 3 Frimaire, year V [1797] by Cynthia Grow, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/1897771_120c64c551a9f125f8655c08043b7077.jpeg)
![Love Letters - Richard Steele to Mary Scurlock, [Saturday Night, 30 August 1707] by Cynthia Grow, Work on Paper for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/3739/main/base/402143_4ab533cf6834b7481c12b216b665144b.jpeg)
Artwork details
- Medium : Acrylic on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 32x24in
About this artwork
Multiple layers of pigmented and diluted monochromatic hues cascade and collide across the wood panel. To some extent, collisions are intentional, but I also introduce the element of chance and unpredictability – purely gestural and expressive marks. Manipulating one color to render the effects of light, transparency, and motion. The reduction of color and thinly layered paint draw attention to the material substance of the painting so that the smallest…
details become important.
The wood texture – cracks and imperfections in the grain – ultimately become part of the work. This gives the work body, physical presence, and object quality. The different degrees of density result in varying nuances of light within the painting – areas which reveal a certain depth. Hints of land, clouds, and other forms seem to appear – nuances which arise from the painting process – perhaps to be viewed as articulating vague memories.
The wood texture – cracks and imperfections in the grain – ultimately become part of the work. This gives the work body, physical presence, and object quality. The different degrees of density result in varying nuances of light within the painting – areas which reveal a certain depth. Hints of land, clouds, and other forms seem to appear – nuances which arise from the painting process – perhaps to be viewed as articulating vague memories.
Cynthia Grow
United States
Credentials
- Established Artist
- International Exposure
- Art Fair Participant
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« In the end, ambiguity is always the theme I seem to return to. Searching for something imperceptible. For something haunting in the work, perhaps in a place, maybe in the other, but mostly, I imagine, in myself. »
Cynthia Grow is a passionate painter living between the US and Spain. Her works have featured in prestigious prizes, publications and exhibitions across both countries, and she has participated in residencies throughout Europe. Working in series, she alternates between two seemingly incongruous yet similar veins: paintings on wood panels and text-based works on paper. She harnesses the same sources of inspiration for both of them: language and memory, and achieves an overall aesthetic signature marked by strong senses of mood, poetry and atmosphere.
