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A world where the boundary between life and machine blurs. These metallic fruits, hanging from the synthetic branches of an unnatural tree, defy the conventional notions of organic growth. Their surfaces are rusted, bearing the scars of time, yet they exude an undeniable vitality. Are they relics of a forgotten civilization, an experiment left unfinished, or the dawn of a new evolutionary path? As they dangle in the silence of an abandoned world,… they provoke an unsettling question—what does it mean to be alive, and how far has nature blended with technology?
« My firm belief in the inspirational contingency is always at the core of my concept for artistic creation, it may be simply interpreted as a casual discovery or just serendipity. »
Dan Obana is an artist based in Japan whose paintings have been exhibited nationally, in the United States, Singapore, Taiwan, and Germany. He is especially inspired by surrealism, as well as the synchronicity of reality and subconsiousness of the collage. Obana describes his encounters with the three-dimensional digital world as giving a fresh impetus to his artistic language and stimulating a "futuristic imagination" as conveyed through his striking and highly detailed compositions.