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The new Tacheles Quarter reveals a tension. The facades, which rise like a controlled architectural basin, stand in stark contrast to the anarchic openness that once characterized the historic Tacheles.
The former Tacheles art center was a symbol of Berlin's post-1989 transformation years: a place of permeability, incompleteness, and unpredictability. Artists, activists, and visitors experienced the site as a laboratory of urban freedom—a space… that had escaped the pressures of economic exploitation. The ruin itself was part of the art and an opportunity to rethink the city.
The transformation of Tacheles is becoming a symbol for a Berlin that is in danger of losing its character and edge. A place that once stood for immediacy and independence is now becoming a polished urban building block that speaks more about economic priorities than cultural visions.
David Söllner, a trained primary school teacher, expresses himself through painting and photography. By dealing with colours, materials and motifs, he creates a symbiosis between everyday experiences and the search for the extraordinary. His works are a kaleidoscope of positive colour compositions, darker moods or a dynamic mixture of both elements that reflect his mental journey and the crossing of his own boundaries. This creates an authentic world of feelings that vividly captures the fusion of imagination and reality.
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Neue Tacheles
David Söllner
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