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Sculptor, David Sheldon, begins his 'Cosmic Goddesses' series with "Oralia, Mater Percetionis (Mother of Perception)". A large, free-standing steel sculpture on base, allowed to weather naturally into a golden-hued patina. Metaphysical beings, part entity, part phenomena - situated somewhere between here and there, the feminine structure of the form, composed of multiple, component 'beings', recalls ancient depictions of 'mother figures' but with… a contemporary 'quantum' approach to spatial dynamics. “My sculpture is a play between positive and negative space, between ‘being’ and ‘non-being. Rather than completed forms (or gestalts), it’s about the infinite possibilities of form…where empty space and possible forms converge. So, my sculptural works are more like an expressed ‘convergence point’ in space, than a fully realized object. Some innate, subconscious sense of beauty in me creates an order within the chaos, what I like to call ‘spatial music’.”
« My goals in art-making are exploring the nature of who I am, and my relationship to the world. »
At age nine, American painter and sculptor David Sheldon was hospital bound after a major operation and was given his first oil-painting kit- he hasn't stopped making art since. The theme of Sheldon's sculpture work revolves around the question, "Who am I, and what is my relationship to the Infinite?" Regarding his paintings, Sheldon works intuitively, and likes to constantly question his methods. Sheldon't futuristic steel sculptures and abstract expressionist oil paintings are fluid, bright, and intriguing.