Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
There is a surrender that was never chosen. A forced leave-taking — of the familiar, the known, the once-held — not out of will, but out of the absence of any other way. The figure does not resist the darkness that swallows her. She yields to it.
And yet.
Beneath the acceptance, something refuses to be buried. A rage that cannot be spoken, only felt — seeping through the cracks, tracing the surface in red. She could not stop what happened. She did… not deserve what came. Both of these things are true at once, and the weight of holding them together is what this work carries.
The reds here are not dramatic. They are patient. They are the anger that remains after the fight has left the body.
This surface holds more than what is visible. Beneath the black, another color was laid down — and then covered. Those who know, see differently. Those who look closely enough may find traces of what was buried.
The surface was not protected from itself. What fell on it, stayed.
Deniz Ozyol is a Turkish mixed media artist working at the intersection of sculptural relief, painting, and material experimentation. Self-directed in her practice, she has developed a singular technique that sets her apart: three-dimensional face casts she takes directly from her own face, set in epoxy resin and embedded into acrylic-painted panels. The result is a body of work that is simultaneously painting and sculpture — raw, tactile, and deeply personal. Her ongoing series, Persona, takes its name from the Latin word for the masks worn in ancient theatre. Each work explores the tension between our inner world and the face we present to others — the constructed self versus the felt self. The faces that emerge from her canvases are neither fully revealed nor fully concealed. They surface. They resist. They haunt.