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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
19.7x39.4in
About this artwork
Collection «Selected Seascape Art»
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«Malivani is undeniably a talented artist who has a resoundingly sharp understanding of her creative power through which she is able to eloquently and articulately communicate the fluid rhythm of nature and contain its proud personality. In each artwork, Malivani effortlessly forms a complex language through which to share her glorious and uplifting perspective of the world».
«Diana Malivani. Critical… Analysis» by Timothy Warrington, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
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For the Artist, seascapes represent an inexhaustible source of inspiration. A principal goal of artists depicting seascapes is to convey the «music of the sea». Diana Malivani believes that seascapes created on canvas should awaken in the soul of the viewer the desire not only to participate in the subject of the painting but also to hear the «music of the sea».
« With my background in medicine, I'm convinced that painting, like music, can heal spiritual wounds and help people find their own life paths. »
Artist Diana Malivani, who by her training and profession, is a Doctor of Medicine (M.D., Ph.D.), is represented by internationally reputable art galleries. Her works regularly appear in prestigious exhibitions (Art Revolution Taipei, Shanghai International Art Fair, London Art Biennale etc.), were awarded at art contests (First Prize at the Global Art Awards in 2020, Second Prize at the London Art Biennale in 2019), are published in art journals in the United Kingdom, the US, and in Australia, offered for sale on leading online art marketplaces, and listed by auction houses. More than 350 of her works are held in the collections of both national museums and private collectors throughout the world, in 25 countries. Malivani’s art has deserved a Book dedicated to her artistic oeuvre, ’Diana Malivani. L’Art de Vivre’ published by the International Confederation of Art Critics, as well as several critical essays by British Art Critics Timothy Warrington and Christopher Rosewood.