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This work is composed of three media (photography, painting, drawing) and has several levels of interpretation. Here I pose the question of the life of objects, hence the title, which is meant as a provocation.
Djos Janssens, trained in visual communication at the Royal Academy of Fine Arts in Brussels, uses photography, painting, and drawing to compose his works. He juxtaposes printed photographs, pictorial interventions, and linear drawings, offering a complex dialogue between image, text, and color. His conceptual and contextual style constantly questions place and meaning, while his works provoke profound reflections, semantic shifts, and a strong emotional intensity linked to the interaction between light, society, and a polysemous message.