Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
27.6x19.7in
About this artwork
This artwork of mine is a vibrant celebration of color and movement, painted with passion and intensity. I used oil to explore the texture and dynamics of the abstract, creating a visual field of red that symbolizes energy, strength and passion. The spontaneous brushstrokes and impetuous composition invite us to reflect on the primal emotions that move humanity. This painting will bring a fiery spirit and a magnetic presence to any environment. … The work is archived with the code DOAS18312.
« "What I have defined by the proximity of approximation, is realized through visual-emotional syncretism." »
Domenico Asmone’s paintings and sculptures have been exhibited across Italy. His artistic interest and work involve the reading and deciphering of our surroundings via visual experience. Asmone translates his studies and interest in primary colors, as well as the elements of air, water, fire and earth into his art. He uses three or four colours at most in his works, deeming a piece finished when the initial randomness of creation meets the causality of the necessary.