N3N01
Oil, Gilding on Wood
9x12in
$2,630
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Eduardo Landa
Germany
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300 pieces
Artist highlights
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Eduardo Landa
Artwork details
- Medium : Oil, Gilding on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 20.7x12.6in
About this artwork
This portrait is part of an interest that I have in mixing techniques of gold or silver leaf with oil paint. in this case, silver leaf. this particular technique is linen canvas stretched on a frame with a layer of stucco on top of that silver leaf was applied with classical techniques shined cracked let to oxidise for a short period of time sealed and top of all of this the portrait painted in oils. To finish a layer of varnish. On a number of different…
photos you can see how the silver gives so many different colours and reflections depending on the lighting, the room, time of the day etc.. Giving the portrait a different dimensionality.
Eduardo Landa
Germany
Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Regarding my art, most of the time words come as an excess. I want my paintings to speak for themselves. »
I intentionally avoid assigning decipherable titles or providing literal
explanations. It is important to me that each viewer approaches the work
without external guidance, forming their own interpretations based solely on
the visual and emotional experience. Today, discourse, statements, and
fabricated personas are often prioritised over the actual work itself. As a result,
the constructed “persona” has, regrettably, come to overshadow the true
substance of what anyone produces.
I understand that this approach runs counter to much of the advice commonly
given to gain visibility. But if we cannot remain true to our principles in creative
endeavours, then what, ultimately, do we have left?
explanations. It is important to me that each viewer approaches the work
without external guidance, forming their own interpretations based solely on
the visual and emotional experience. Today, discourse, statements, and
fabricated personas are often prioritised over the actual work itself. As a result,
the constructed “persona” has, regrettably, come to overshadow the true
substance of what anyone produces.
I understand that this approach runs counter to much of the advice commonly
given to gain visibility. But if we cannot remain true to our principles in creative
endeavours, then what, ultimately, do we have left?
Eduardo Landa
Untitled
$3,070
