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This work is a digital collage that explores the fundamental paradox of our time: the search for human identity through digital processes. The title evokes the Egyptian "Ba," the traveling soul capable of journeying between worlds, now transmigrated through algorithms and pixelated grids. This grid is not merely decorative: it is the very language of our era applied to human representation. As in Egyptian funerary portraits, the face directly confronts… the viewer with an almost ceremonial presence. This frontality establishes a timeless dialogue: the same impulse that led the Egyptians to preserve identity for eternity is now manifested in code. My extended analysis in
https://www.linkedin.com/feed/update/urn:li:activity:7398751210666622979/
Fernando Grilli, son of photographers and raised in the nuances of light, fuses photography, collage and algorithmic art. His works, imbued with techniques such as retouching and monotype, dialogue with the aesthetics of Art Deco, PopArt and the mystery of film noir. They transmit the weight of the social, the poetry of light and shadow, and a conceptual vision that sparks reflection.