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The truth is that I paint myself ... and therefore the battle of my own body with age, my own fears and my fascination with death. In the early stages I created paintings in which human forms were visible. I painted these in a detached manner: heads were removed, the bodies were decorative, eye contact was almost non-existent, there was no contact with the viewer. As my work developed I was sitting closer to the skin, from strange perspectives I… showed the alienation to my own body. My fascination with the body deepened, I began to paint other people, especially those who deviate from the ideal of beauty. But even more, I really wanted to paint people like you and me, a universal image of the aging person. Staying true to myself, I have confined myself to the female body.
« My work captures the beauty, the power and the vulnerability of the human condition. »
Dutch artist Francien Krieg skillfully captures the wisedom and beauty of the human form in her portraits. Favouring female nudes Krieg's naturalistic style provides the viewer with a truthful and often emotive portrayal of the ageing process. In her works, the women tell their stories through their ageing bodies and they have so much to tell and to teach us.