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Indian ink painting using a pigeon quill. My pictorial work is inseparable from a story.
My father, who didn't have flat feet, taught me to shimmy, tap dance, and all sorts of dance, because we ballroom kids only earn our keep by dancing. Life is our caravan. Sorrow is our bread and butter. We amuse, we make people laugh, we light up children's eyes that shine like church candles. The thrill is just to dress up the drum roll. The tinsel is our shield,… and the ringmaster's hat is the rabbit's refuge. Tomorrow, at dawn, the big top will be taken down, and the road will take our destiny in its hands. Tomorrow or the day after, you too will go to work, well-dressed or in overalls, but no one will applaud you when you hand in your Excel spreadsheet or your trowel caresses your calloused hands again. Let's dance, let's enjoy it while there's still time.
FG
Francis Germain, with a rich background in music and events, expresses himself artistically through various mediums, notably pen and Indian ink. Oscillating between art brut and singular art, his unique technique demonstrates freedom and originality, like the pigeon feathers he uses to draw. Francis Germain's works evoke a rich range of human emotions and life stories, reflecting his vision of the artist as a sheep separating from the flock.