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Michiels is preparing an exhibition presenting an urgent and often disturbing aesthetic on official documents. He humorously calls them "counterfeit" paintings, because formal experimentation is forbidden on official documents.
He describes these pictorial maneuvers as "tactical" and "audacious".
Michiels has been collecting old books and magazines for years. The forms he uses in this series are inspired by images published in technical (automotive)… magazines from the 1950s and 1960s.
Fred Michiels has been represented by the Antwerp-based Eva Steynen Gallery since spring 2011. Through this gallery, he exhibits at art fairs in Berlin, Cologne, Luxembourg, and Brussels. With The Office of Useless Art, he primarily participates in artists' book fairs and zine fairs.
Trained at the Fine Arts School of Antwerp and the Cooper Union in New York, Fred Michiels is a lover of the nuanced subtlety of color. He masters multiple, layered abstract layers achieved through overpainting, incorporating influences from minimalism and abstraction. His works, constructed and planned, are a dance between revelation and concealment, inciting curiosity and uncertainty in the viewer. This visual adventure delivers a sense of subversive uncertainty, where the intensity of color captures attention, provoking a questioning of what is hidden. Fred Michiels has been represented by the Antwerp gallery Eva Steynen since 2011. He has exhibited with them at fairs in Cologne, Berlin, Rotterdam, Luxembourg and Brussels, among others.
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Fred Michiels
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