Not currently available for saleThis piece is currently reserved (either by a client or for an exhibition...).Get notified when it becomes available again.
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you if the artwork becomes available again.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
39.4x31.5in
About this artwork
In my work I have fused acrylic, oil, enamel and gold leaf to create a visual dialogue between the figurative and the semi-abstract. This painting explores the beauty of ancient structures against modern backdrops. It encapsulates the tension between the historical past and the impulse towards the future, reflecting on urban dynamics and cultural resilience. With each brush stroke, I aim to evoke a reflection on our heritage and contemporary aspirations,… enriching each space with a complex and stimulating energy. The work is a polyptych: composed of an 80x80 cm canvas and four 20x20 cm canvases mounted on a fixed frame on the back. In addition to pictorial materials in the upper part of the painting there is a collage of different fabrics.
« I prefer to be a good craftsman than a mediocre artist. »
Fulvio Dot is an experienced painter and draftsman based in Italy whose work has been exhibited nationally, as well as in China, France, Canada and Spain. He describes his compositions as historical places “contaminated” with contemporary symbols and content. Dot’s striking, textural and almost three-dimensional pieces are created primarily with acrylics, oils and collage on canvas.