Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
19.7x15.7in
About this artwork
Claiming the Unlived: Yesterday
This work grapples with the weight of the past and decades of social adaptation. While Today celebrates the breakthrough, Yesterday depicts the foundation of memories and dormant dreams that have long lain hidden. It is a visual exploration of the layers that shape us and sometimes hold us captive until we find the courage to uncover them. Within the dense impasto structures, traces of stagnation and cultural expectation… become physically tangible. The canvas becomes the site of a profound archaeological excavation within one's own being, where old structures are broken down to make room for the new. Yesterday is not a look back filled with regret, but rather an act of acknowledging what was, in order to make the transformation into the full freedom of artistic creation possible.
Gül Memis is an abstract painter working primarily with acrylics, creating large-scale works driven by instinct, movement, and emotional intensity. With an active exhibition history in Berlin, Hamburg, and Stuttgart, her process is highly physical. She works directly on the canvas, allowing colors to merge in the moment and building up a dense history of five to ten layers.
Rooted in both German and Turkish heritage, her work navigates identity as something in constant transformation. Rather than illustrating this duality, she confronts it through gesture, texture, and the raw interaction of pigment. This intensive layering creates a complex surface where organic, vein-like structures emerge from the paint, giving the work a visceral, living quality.
Her paintings carry weight. Through thick application and expressive marks, she creates a visual language of conflict, memory, and release. There is no clean resolution. Her work does not aim to explain. It invites.