Not currently available for saleThis piece is currently reserved (either by a client or for an exhibition...).Get notified when it becomes available again.
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you if the artwork becomes available again.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on wood. Framing on request.
Dimensions :
16.9x12.2in
About this artwork
This is about physical form in real, shallow, sun lit space.
It is also a still life, executed in 3-4 days in Kefalonia.
Makie was a relative. He was a hunter. He wore these walking hundreds of kilometers in Greece.
I wanted to complete a small series of paintings done from observation. I wasn't into the post-modernist production. I just wanted viewers to know non objective work doesn't just come out of nowhere, and that the skill gained from observing… and abstracting is a tool hidden in most non objective abstraction.
These have references to Van Gogh's worker shoes, and Lucian Freud(whose drawing method kind of coincided with mine as I started depicting the world using Cezanne's cylinder, cone, and sphere system). I like Van Gogh's skies and trees, and Freud's awkward figure/ground relationship, but find his irony very boring.
George-A. Makridis, a painter and digital artist, was initially drawn to the canvas by his mechanic father. He adeptly manipulates oil, water-based mediums, and digital interfaces, crafting works that defy conventional forms while experimenting with collage and mixed media. His connection to the environment, physical and spiritual, interweaves his artwork, using instinct rather than philosophy. His work reflects an earnest attempt at bonding with the world, hinting at a quest for goodness, an ephemeral touch we strive for yet never truly grasp.