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A walk in the forest near my studio. The moment is perfect; nature, this autumn, seems as beautiful as ever. And then that noise, rising and growing louder: chainsaws, bulldozers, clear-cutting just a few hundred meters away. I have my camera with me. How can I capture an image of this nature, which I wanted to believe was pristine, that would convey the extreme fragility of life in the face of human voracity? I choose a relatively slow shutter speed… and press the shutter, giving the camera a quick, sharp movement.
The image obtained is not that of the primitive nature that a few moments earlier presented itself to my gaze. It is that of a secondary nature, a second nature with a troubled and uncertain future.
Gilles Sabard, a passionate autodidact, works mainly as a digital photographer and visual artist. Playing with the uncertainties of the image, he uses blurring, movement and digital retouching techniques to capture the intimate and the ephemeral. His works evoke a fragile ambivalence, oscillating between reality and utopia, revealing our existence as simple images while constantly seeking true emotion.