Not currently available for saleThis piece is currently reserved (either by a client or for an exhibition...).Get notified when it becomes available again.
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you if the artwork becomes available again.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
31.5x31.5in
About this artwork
At first glance, a picture divided into two halves, with a red blob in the center. But what can you really see?
The idea behind this painting is based on the world's position. Light and dark oppose each other, and in the center is the head of a slender rose. If you want to delve deeper into the details, you might be able to make out two abstractly suggested faces turning towards each other, although the intention remains unclear.
A gesture of peace,… the rose's head as a unifying element, or the famous slap in the face. What can you see?
The painting itself is constructed in several layers of paint and includes the rose as a pouring element. A detail at the edge, the small snake wriggling out of the chalice.
Brandl, a former civil servant-turned-painter, sourced inspiration from nature, mythology, and cosmos. Using an array of tools from brushes and spatulas to pouring techniques in acrylic art, he integrates elements like stones into his paintings for effect. His pieces resonate with a profound call for respect of Mother Nature, interwoven with allusions to ancient mythology. His artworks are a poignant meditation on freedom and intellectual liberation.