Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
47.2x23.6in
About this artwork
An image of quiet clarity – borne by light and surface.
Light green and blue tones overlap in calm, vertical movements. The paint is not only applied, but also pulled, broken, and absorbed again. This creates a surface that alternates between transparency and density.
The composition becomes more condensed in the lower section. A calm, horizontal zone grounds the image and gives it weight – like a mirror that reflects the movement above.
The… work unfolds its effect through the interplay of structure and light.
Traces of spatula and brushstrokes remain visible, creating depth and a lively, ever-changing surface.
A work for spaces that should radiate spaciousness and tranquility.
—
Series: Landscape and Light
—
High-quality materials and workmanship.
Surface protected by varnish.
3D stretcher frame, white shadow gap frame, ready to hang.
Hella Ridder is a German painter whose work has been featured in national and international exhibitions and art fairs. She is self-taught.
The focus of her work is not the visible, but that which eludes it. Her images emerge from moments of heightened presence and develop layer by layer in the process.
Using acrylic on canvas, as well as brushes, spatulas and squeegees, she creates complex structures and depth spaces that change depending on the viewer's perspective and distance.
Her works are not classical representations, but emotional topographies – condensations of tension, stillness and movement.
Guided by the principle of "what remains unspoken," she makes visible conditions that cannot be fully captured through language.