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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
28x15.7in
About this artwork
At the heart of my pictorial process, which is constructed through subtraction, release, and transformation, the mark is never direct but transferred: it emerges from jets of color created on paper and then impressed on the canvas, like a filtered memory.
The 'Casts', as residual bodies and living matrices, are the central and concluded work, but also the principle of subsequent syntheses: the original mass is elaborated, distilled, disintegrated.…
An urban reference is grafted onto this level, an echo of worn metropolitan surfaces, of walls crisscrossed by layers of graffiti, erased writing, torn posters. The "underground" dimension acts as an invisible backdrop: the pictorial language dialogues with the memory of the street, with the post-vandal residue that, despite its ephemeral illegality, becomes a permanent sign. The work thus occupies an intermediate space, between painting and urban ruin, between creative act and anonymous gesture, between individual memory and collective trace.
Isaia Antonaci, a painter and visual artist born in Sesto San Giovanni and trained at the Brera Academy, intertwines painting, gesture, and martial arts in a language deeply influenced by urban aesthetics and international experiences. He alternates printing, casting, and subtraction techniques: layered material generates fragments, while incisions and abrasions create surfaces traversed by imperceptible marks. His works convey a balance between fullness and emptiness, inviting the viewer to reflect on time, identity, and the fragility of the human experience.