Artwork details
- Medium : Wood With Stand
- Dimensions : Length: 18.9in, Height: 60.6in, Depth: 18.9in
About this artwork
No one knows his name, but we know that he was a great warrior in those fierce times, between the years of grace 400 and 500, in what is now southwest France.
After hard research we managed to define, roughly, its silhouette. Here is an artist's representation of the man in battle dress, covered in blood (?) And dirt .... Unless he painted himself to frighten the enemy?
You will notice that the sculptor made sure that all 31 elements of the character… are modular: this is so that you can reconstruct the movements of the warrior in the heart of the battle. There are even times when he completely loses his human appearance to become an indefinable monster ...
Easy modulations, but be careful not to force the movements.
Weight: about 15 Kg
After hard research we managed to define, roughly, its silhouette. Here is an artist's representation of the man in battle dress, covered in blood (?) And dirt .... Unless he painted himself to frighten the enemy?
You will notice that the sculptor made sure that all 31 elements of the character… are modular: this is so that you can reconstruct the movements of the warrior in the heart of the battle. There are even times when he completely loses his human appearance to become an indefinable monster ...
Easy modulations, but be careful not to force the movements.
Weight: about 15 Kg
Jean Paul Boyer
France
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Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« "With the modularity of my sculptures, the spectator/collector is no longer just "looking". They become actors. I wrote the score, they become my interpreters." »
Jean Paul Boyer’s sculptures have been exhibited throughout his native France, Europe and China. Boyer continuously questions how to work with the air, or the “void”, that surrounds the material of the sculpture. He denies having a style, and allows himself the freedom to delve into all interpretations and techniques. His process starts by fabricating a model with any material he happens to have on hand, then the works evolve using wood, metal, marble, cardboard, etc.